Orchestral

Hannah Sawyer

Violin

Works with

Age 6+

Shines with

Beginners

What is your musical background?

I started playing violin when I was in fourth grade. I played in my school orchestras, and in the Tucson Philharmonic Youth Orchestra. Right now, I’m a junior at the University of Arizona (UofA) getting a Bachelor of Arts in Music, with an emphasis on Violin Performance and a minor in Sound Production. I also play in the UofA Philharmonic Orchestra.

How long have you been teaching? Why do you teach music?

I’ve been teaching for about two years. I just find it very enjoyable, because I enjoy music so much, and I get to give that joy to somebody else. It makes me really happy when I see someone figure out how to do something, or get to play a piece that they really wanted to play.

How would you describe your teaching style and methods?

During lessons I like to jump around between books and pieces to keep things interesting - that’s important. For younger students I communicate a lot with parents to help get practice integrated into their home life. At the end of each lesson, I’ll typically debrief them on what we covered and how their child should be practicing. I find that violin posture and positioning is the hardest thing. Even in college I'm still working on it. So I like the parents to know how their child should look when they're practicing, so if they walk by and see the violin is tilted, they can say, hey kiddo, don't forget to hold your violin up. Or if they're just playing one song over and over they can say, hey, why don't you just work on this one section? So that they’re almost an extension of me.

I also give practice logs. The goal is for the student to bring it back to me. As long as they're honest, and show they're putting in some time throughout the week, I give them a sticker. Once they reach a month of doing practice every week, then I give a little small gift, a thank you for practicing.

What are your students like? Who do you work best with?

My students are typically younger, beginners. There are always enjoyable things about each level and age group. I do like intermediate students, because sometimes you’ll catch them doing something, or not doing something. And you can intervene and say, maybe try this, and see how much easier it is on them.

What do you want your students to take away from their time with you?

There are a couple of things that I really find important. Learning how to enjoy music, the joys of music and what goes into it - whether or not they continue playing. Having responsibility. Understanding how to manage time, and how to handle taking big issues by breaking them down into smaller sections. That’s what I hope. Even if they don't continue with the instrument, they’ll take away these lessons that make life easier.

What can students and parents expect during the first few lessons?

The first few lessons are focused on getting to know your instrument - how to hold it, how to put it away. Then I help to get their violin ready. I'll put tapes on during the first or second lesson. I’ll show them how to pick staccato on open strings. If they're brand new to the instrument I help them get to know it, quiz them on the names of different parts.

I also give parents a document that has a bit about me, then little checklists - what they need at home, what to bring to lessons. Also how practice should be scheduled into the student’s day, if possible. I know people can be really busy. But if you set aside 20 minutes to say, hey, it's time to practice - that's really helpful.

Job Jimenez

Classical Guitar

Works with

Classical guitar students

Electric & acoustic guitar students

Shines with

Beginners

What is your musical background?

I achieved my degree in guitar performance at the UofA with professor Tom Patterson. I did my associate's in Performing Arts at Glendale Community College, where I was also able to do tutoring. Additionally I've taught informally previously.

How long have you been teaching? Why do you teach music?

I’ve been teaching for two years. I teach guitar because that is my passion and I love sharing what I love to do, which is guitar.

How would you describe your teaching style and methods?

My method focuses on the fundamentals, while also being goal oriented - having a reason on why to learn is important. Motivation and inspiration are crucial. For practice, I typically suggest, 10 minutes of scales, then the song - first you master the intro, then the bridge/choir section. Little by little. And keep your fingers in shape.

What are your students like? Who do you work best with?

Each student is different. Some students struggle more, some are better, depending on the age or attention span. I prefer working with beginners. Willing and dedicated. Always motivated. With clear goals, and open to improve.

What do you want your students to take away from their time with you?

That they get inspired and motivated to learn and continue the journey of guitar. Also to be able to identify what they can do to improve. Finally, that they can enjoy what they do, which is the most important part of guitar learning.

What is a favorite musical memory?

While completing my undergrad at the UofA I got the privilege to take a masterclass from renowned guitarists such as David Russell, Sergio Assad, and Judicael Peroy among others. These masterclassess have been intense experiences and have added to my growth as a guitar musician. Also, having professor Tom Patterson at the Bolton Guitar Studies as a mentor in my career.

Madeline Fitzpatrick

Violin, Viola

Works with

All ages & stages

Shines with

Beginners

Students interested in theory

What is your musical background?

I've been playing violin my whole life and have an extensive background in orchestral and chamber repertoire. I hold a Bachelor’s in Violin Performance from the University of Arizona, where I participated in several chamber ensembles and the Arizona Symphony Orchestra.

How long have you been teaching? Why do you teach music?

I've been teaching for two years. I teach music because I enjoy watching my students “light bulb” moments when they really start to understand something. It is rewarding to watch students achieve their goals and I love seeing them feel accomplished. I enjoy working with students because I can impart my knowledge into them.

How would you describe your teaching style and methods?

I’m a Suzuki style teacher, but I can be flexible based on what the student needs. My approach to teaching is technique based, adapting to each individual student's needs and interests. I focus on foundational mastery to then achieve personal expression. I believe music is for everyone -I work hard to tailor my teaching around my students' goals. I teach students how to integrate practice into their routine, their daily life, not just when they’re holding the violin. Things like hand exercises for when they’re bored in class.

What are your students like? Who do you work best with?

I work well with students of all ages from beginner to intermediate. I feel comfortable will all stages of learning except teaching advanced/professional level (obviously). I am good with beginners and love address the meatier challenges with more advanced students.

What do you want your students to take away from their time with you?

Hopefully my students will learn a tenacity for whatever they apply themselves to. I strive to teach a resilience for challenges they may face even outside of violin lessons.

What can students and parents expect during the first few lessons?

In the first few lessons I assess where the student is in their musical journey and what they may want to strengthen during their time in my studio. We talk about their goals in lessons, and find what repertoire the student want to learn. Generally, we will start with building technique with scales, whether it be concentration on intonation, bow hold, finger strength, fingerboard topography, or any number of skills that can be addressed with scales as a warm up to the students repertoire.

Tara Sanderson

Flute, Piano

Works with

All ages & stages

Shines with

Students interested in theory or composition

Neurodivergent learners

What is your musical background?

I studied music therapy at Nazareth University. This program included years of advanced musical instruction and I was privileged to learn from a flute professor recruited from the Eastman School of Music. In addition to refining my performance skills on a major instrument, the music therapy curriculum included piano and guitar study, with competency exams. Private piano lessons preceded and followed this. I performed my junior and senior flute recitals before transferring to Walden University to complete my bachelor of science in a related field. During my time in Upstate New York, I regularly played with my church's worship team, and since relocating, I have been participating in a gospel choir.

How long have you been teaching? Why do you teach music?

I have spent a combined six years teaching flute and piano lessons for two music stores. I have periodically given piano lessons in peoples' homes throughout the years. During the pandemic restrictions, I designed an informal music curriculum within a charter school to give students access to music education.

My music teachers were exceptional people who inspired me throughout school and university. Personally, I love working one-to-one with all age groups. Students' progress is rewarding for everyone involved. This is especially true when someone new to the piano plays a recital piece successfully within three months time.

How would you describe your teaching style and methods?

Student-centered learning is very important for keeping learners engaged. I encourage students to help select their music according to their playing abilities. At the same time, I stress excellent music reading skills. I focus on fluent note reading, counting rhythms, and music theory, since these skills are foundational for growth as musicians.

What are your students like? Who do you work best with?

It is most rewarding to work with students who are eager to learn and progress. Teachers can sense when an individual's motivation level by the frequency with which concepts must be retaught. Some youths are over-scheduled and do not have much time or energy left for lessons and this drains their enthusiasm.

I particularly enjoy creative learners who are beginning to write their own music or explore music theory. At the same time, my music therapy, school-setting, and behavioral health work backgrounds have equipped me to assist learners with a variety of struggles. I have worked with many who were affected by ADHD, autism spectrum disorder, learning disabilities, and personal hardships. Teachers must fit instruction to each individual's needs and I have had the training and experience to adapt accordingly.

What do you want your students to take away from their time with you?

The most inspiring teachers that my family and I have encountered share common characteristics. Their passion and competence are contagious and they have the ability to inspire others to greatness. The hold the line of high expectations while maintaining atmospheres of encouragement. These instructors are genuine and posses character traits that make them role models beyond their subjects of expertise. I aim to be this type of person and instill confidence in each learner.

What can students and parents expect during the first few lessons?

First, I will ingratiate each family, since I wish to make them comfortable with me and teacher transitions. Next, It will be important to take time with each family to discuss musical goals, interests, and abilities. I will also want to get a feel for each learner's playing style to gauge their playing strengths and areas for growth. Last, the student and I will decide on a plan forward.

Register